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                                        <div class=3D"content">
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                                                <span class=3D"preheader" s=
tyle=3D"color: transparent; display: none; height: 0; max-height: 0; max-wi=
dth: 0; mso-hide: all; opacity: 0; overflow: hidden; visibility: hidden; wi=
dth: 0;">The complete works of george orwell, searchable format.  Also cont=
ains a biography and quotes by George Orwell</span>
                                           =20

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                                                                        <h1=
 style=3D"border-bottom: 1px solid #cccccc; color: #222222; font-family: -a=
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om: 0.4375em; margin-top: 0; padding-bottom: 0.4375em;">George Orwell - Dow=
n The Mine</h1>
                                                                   =20

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                                        </div></div></td><td style=3D"-ms-t=
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                                        <h2 style=3D"border-bottom: 1px sol=
id #cccccc; color: #222222; font-family: -apple-system, BlinkMacSystemFont,=
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om: 0.5em; margin-top: 0; padding-bottom: 0.5em;">Essay</h2>               =
                           <p style=3D"color: #111111; font-family: -apple-=
system, BlinkMacSystemFont, &#34;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;"><span>=
Our civilization, pace Chesterton, is founded on coal, more completely
<br/>than one realizes until one stops to think about it. The machines that
<br/>keep us alive, and the machines that make machines, are all directly or
<br/>indirectly dependent upon coal. In the metabolism of the Western world
<br/>the coal-miner is second in importance only to the man who ploughs the
<br/>soil. He is a sort of caryatid upon whose shoulders nearly everything
<br/>that is not grimy is supported. For this reason the actual process by
<br/>which coal is extracted is well worth watching, if you get the chance =
and
<br/>are willing to take the trouble.
</span></p><p style=3D"color: #111111; font-family: -apple-system, BlinkMac=
SystemFont, &#34;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
When you go down a coal-mine it is important to try and get to the coal
</p><br/>face when the &#39;fillers&#39; are at work. This is not easy, bec=
ause when the
<br/>mine is working visitors are a nuisance and are not encouraged, but if
<br/>you go at any other time, it is possible to come away with a totally
<br/>wrong impression. On a Sunday, for instance, a mine seems almost
<br/>peaceful. The time to go there is when the machines are roaring and the
<br/>air is black with coal dust, and when you can actually see what the
<br/>miners have to do. At those times the place is like hell, or at any ra=
te
<br/>like my own mental picture of hell. Most of the things one imagines in
<br/>hell are if there--heat, noise, confusion, darkness, foul air, and,
<br/>above all, unbearably cramped space. Everything except the fire, for
<br/>there is no fire down there except the feeble beams of Davy lamps and
<br/>electric torches which scarcely penetrate the clouds of coal dust.
<p style=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont,=
 &#34;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
When you have finally got there--and getting there is a in itself: I
</p><br/>will explain that in a moment--you crawl through the last line of =
pit
<br/>props and see opposite you a shiny black wall three or four feet high.
<br/>This is the coal face. Overhead is the smooth ceiling made by the rock
<br/>from which the coal has been cut; underneath is the rock again, so that
<br/>the gallery you are in is only as high as the ledge of coal itself,
<br/>probably not much more than a yard. The first impression of all,
<br/>overmastering everything else for a while, is the frightful, deafening
<br/>din from the conveyor belt which carries the coal away. You cannot see
<br/>very far, because the fog of coal dust throws back the beam of your la=
mp,
<br/>but you can see on either side of you the line of half-naked kneeling
<br/>men, one to every four or five yards, driving their shovels under the
<br/>fallen coal and flinging it swiftly over their left shoulders. They are
<br/>feeding it on to the conveyor belt, a moving rubber, belt a couple of
<br/>feet wide which runs a yard or two behind them. Down this belt a
<br/>glittering river of coal races constantly. In a big mine it is carrying
<br/>away several tons of coal every minute. It bears it off to some place =
in
<br/>the main roads where it is shot into tubs holding half a tun, and then=
ce
<br/>dragged to the cages and hoisted to the outer air.
<p style=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont,=
 &#34;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
It is impossible to watch the &#39;fillers&#39; at work without feelling a =
pang
</p><br/>of envy for their toughness. It is a dreadful job that they do, an=
 almost
<br/>superhuman job by the standard of an ordinary person. For they are not
<br/>only shifting monstrous quantities of coal, they are also doing, it in=
 a
<br/>position that doubles or trebles the work. They have got to remain
<br/>kneeling all the while--they could hardly rise from their knees without
<br/>hitting the ceiling--and you can easily see by trying it what a
<br/>tremendous effort this means. Shovelling is comparatively easy when you
<br/>are standing up, because you can use your knee and thigh to drive the
<br/>shovel along; kneeling down, the whole of the strain is thrown upon yo=
ur
<br/>arm and belly muscles. And the other conditions do not exactly make
<br/>things easier. There is the heat--it varies, but in some mines it is
<br/>suffocating--and the coal dust that stuffs up your throat and nostrils
<br/>and collects along your eyelids, and the unending rattle of the convey=
or
<br/>belt, which in that confined space is rather like the rattle of a mach=
ine
<br/>gun. But the fillers look and work as though they were made of iron. T=
hey
<br/>really do look like iron hammered iron statues--under the smooth coat =
of
<br/>coal dust which clings to them from head to foot. It is only when you =
see
<br/>miners down the mine and naked that you realize what splendid men, they
<br/>are. Most of them are small (big men are at a disadvantage in that job)
<br/>but nearly all of them have the most noble bodies; wide shoulders
<br/>tapering to slender supple waists, and small pronounced buttocks and
<br/>sinewy thighs, with not an ounce of waste flesh anywhere. In the hotter
<br/>mines they wear only a pair of thin drawers, clogs and knee-pads; in t=
he
<br/>hottest mines of all, only the clogs and knee-pads. You can hardly tell
<br/>by the look of them whether they are young or old. They may be any age=
 up
<br/>to sixty or even sixty-five, but when they are black and naked they all
<br/>look alike. No one could do their work who had not a young man&#39;s b=
ody,
<br/>and a figure fit for a guardsman at that, just a few pounds of extra
<br/>flesh on the waist-line, and the constant bending would be impossible.
<br/>You can never forget that spectacle once you have seen it--the line of
<br/>bowed, kneeling figures, sooty black all over, driving their, huge
<br/>shovels under the coal with stupendous force and speed. They are on the
<br/>job for seven and a half hours, theoretically without a break, for the=
re
<br/>is no time &#39;off&#39;. Actually they, snatch a quarter of an hour o=
r so at
<br/>some time during the shift to eat the food they have brought with them,
<br/>usually a hunk of bread and dripping and a bottle of cold tea. The fir=
st
<br/>time I was watching the &#39;fillers&#39; at work I put my hand upon s=
ome
<br/>dreadful slimy thing among the coal dust. It was a chewed quid of
<br/>tobacco. Nearly all the miners chew tobacco, which is said to be good
<br/>against thirst.
<p style=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont,=
 &#34;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
Probably you have to go down several coal-mines before you can get much
</p><br/>grasp of the processes that are going on round you. This is chiefly
<br/>because the mere effort of getting from place to place; makes it
<br/>difficult to notice anything else, In some ways it is even disappointi=
ng,
<br/>or at least is unlike what you have, expected. You get into the cage,
<br/>which is a steel box about as wide as a telephone box and two or three
<br/>times as long. It holds ten men, but they pack it like pilchards in a
<br/>tin, and a tall man cannot stand upright in it. The steel door shuts u=
pon
<br/>you, and somebody working the winding gear above drops you into the vo=
id.
<br/>You have the usual momentary qualm in your belly and a bursting sensat=
ion
<br/>in the cars, but not much sensation of movement till you get near the
<br/>bottom, when the cage slows down so abruptly that you could swear it is
<br/>going upwards again. In the middle of the run the cage probably touches
<br/>sixty miles an hour; in some of the deeper mines it touches even more.
<br/>When you crawl out at the bottom you are perhaps four hundred yards
<br/>underground. That is to say you have a tolerable-sized mountain on top=
 of
<br/>you; hundreds of yards of solid rock, bones of extinct beasts, subsoil,
<br/>flints, roots of growing things, green grass and cows grazing on it--a=
ll
<br/>this suspended over your head and held back only by wooden props as th=
ick
<br/>as the calf of your leg. But because of the speed at which the cage has
<br/>brought you down, and the complete blackness through which you have
<br/>travelled, you hardly feel yourself deeper down than you would at the
<br/>bottom of the Piccadilly tube.
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
What is surprising, on the other hand, is the immense horizontal
</p><br/>distances that have to be travelled underground. Before I had been=
 down a
<br/>mine I had vaguely imagined the miner stepping out of the cage and
<br/>getting to work on a ledge of coal a few yards away. I had not realized
<br/>that before he even gets to work he may have had to creep along passag=
es
<br/>as long as from London Bridge to Oxford Circus. In the beginning, of
<br/>course, a mine shaft is sunk somewhere near a seam of coal; But as that
<br/>seam is worked out and fresh seams are followed up, the workings get
<br/>further and further from the pit bottom. If it is a mile from the pit
<br/>bottom to the coal face, that is probably an average distance; three
<br/>miles is a fairly normal one; there are even said to be a few mines wh=
ere
<br/>it is as much as five miles. But these distances bear no relation to
<br/>distances above ground. For in all that mile or three miles as it may =
be,
<br/>there is hardly anywhere outside the main road, and not many places ev=
en
<br/>there, where a man can stand upright.
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
You do not notice the effect of this till you have gone a few hundred
</p><br/>yards. You start off, stooping slightly, down the dim-lit gallery,=
 eight
<br/>or ten feet wide and about five high, with the walls built up with sla=
bs
<br/>of shale, like the stone walls in Derbyshire. Every yard or two there =
are
<br/>wooden props holding up the beams and girders; some of the girders have
<br/>buckled into fantastic curves under which you have to duck. Usually it=
 is
<br/>bad going underfoot--thick dust or jagged chunks of shale, and in some
<br/>mines where there is water it is as mucky as a farm-yard. Also there is
<br/>the track for the coal tubs, like a miniature railway track with sleep=
ers
<br/>a foot or two apart, which is tiresome to walk on. Everything is grey
<br/>with shale dust; there is a dusty fiery smell which seems to be the sa=
me
<br/>in all mines. You see mysterious machines of which you never learn the
<br/>purpose, and bundles of tools slung together on wires, and sometimes m=
ice
<br/>darting away from the beam of the lamps. They are surprisingly common,
<br/>especially in mines where there are or have been horses. It would be
<br/>interesting to know how they got there in the first place; possibly by
<br/>falling down the shaft--for they say a mouse can fall any distance
<br/>uninjured, owing to its surface area being so large relative to its
<br/>weight. You press yourself against the wall to make way for lines of t=
ubs
<br/>jolting slowly towards the shaft, drawn by an endless steel cable
<br/>operated from the surface. You creep through sacking curtains and thick
<br/>wooden doors which, when they are opened, let out fierce blasts of air.
<br/>These doors are an important part of the ventilation system. The
<br/>exhausted air is sucked out of one shaft by means of fans, and the fre=
sh
<br/>air enters the other of its own accord. But if left to itself the air
<br/>will take the shortest way round, leaving the deeper workings
<br/>unventilated; so all the short cuts have to be partitioned off.
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
At the start to walk stooping is rather a joke, but it is a joke that
</p><br/>soon wears off. I am handicapped by being exceptionally tall, but =
when
<br/>the roof falls to four feet or less it is a tough job for anybody exce=
pt
<br/>a dwarf or a child. You not only have to bend double, you have also got
<br/>to keep your head up all the while so as to see the beams and girders =
and
<br/>dodge them when they come. You have, thehefore, a constant crick in the
<br/>neck, but this is nothing to the pain in your knees and thighs. After
<br/>half a mile it becomes (I am not exaggerating) an unbearable agony. You
<br/>begin to wonder whether you will ever get to the end--still more, how =
on
<br/>earth you are going to get back. Your pace grows slower and slower. You
<br/>come to a stretch of a couple of hundred yards where it is all
<br/>exceptionally low and you have to work yourself along in a squatting
<br/>position. Then suddenly the roof opens out to a mysterious height--sce=
ne
<br/>of and old fall of rock, probably--and for twenty whole yards you can
<br/>stand upright. The relief is overwhelming. But after this there is
<br/>another low stretch of a hundred yards and then a succession of beams
<br/>which you have to crawl under. You go down on all fours; even this is a
<br/>relief after the squatting business. But when you come to the end of t=
he
<br/>beams and try to get up again, you find that your knees have temporari=
ly
<br/>struck work and refuse to lift you. You call a halt, ignominiously, and
<br/>say that you would like to rest for a minute or two. Your guide (a min=
er)
<br/>is sympathetic. He knows that your muscles are not the same as his. &#=
39;Only
<br/>another four hundred yards,&#39; he says encouragingly; you feel that =
he
<br/>might as well say another four hundred miles. But finally you do someh=
ow
<br/>creep as far as the coal face. You have gone a mile and taken the best
<br/>part of an hour; a miner would do it in not much more than twenty
<br/>minutes. Having got there, you have to sprawl in the coal dust and get
<br/>your strength back for several minutes before you can even watch the w=
ork
<br/>in progress with any kind of intelligence.
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px;">
Coming back is worse than going, not only because you are already tired
</p><br/>out but because the journey back to the shaft is slightly uphill. =
You get
<br/>through the low places at the speed of a tortoise, and you have no sha=
me
<br/>now about calling a halt when your knees give way. Even the lamp you a=
re
<br/>carrying becomes a nuisance and probably when you stumble you drop it;
<br/>whereupon, if it is a Davy lamp, it goes out. Ducking the beams becomes
<br/>more and more of an effort, and sometimes you forget to duck. You try
<br/>walking head down as the miners do, and then you bang your backbone. E=
ven
<br/>the miners bang their backbones fairly often. This is the reason why in
<br/>very hot mines, where it is necessary to go about half naked, most of =
the
<br/>miners have what they call &#39;buttons down the back&#39;--that is, a=
 permanent
<br/>scab on each vertebra. When the track is down hill the miners sometimes
<br/>fit their clogs, which are hollow under-neath, on to the trolley rails
<br/>and slide down. In mines where the &#39;travelling&#39; is very bad al=
l the
<br/>miners carry sticks about two and a half feet long, hollowed out below
<br/>the handle. In normal places you keep your hand on top of the stick and
<br/>in the low places you slide your hand down into the hollow. These stic=
ks
<br/>are a great help, and the wooden crash-helmets--a comparatively recent
<br/>invention--are a godsend. They look like a French or Italian steel
<br/>helmet, but they are made of some kind of pith and very light, and so
<br/>strong, that you can take a violent blow on the head without feeling i=
t.
<br/>When finally you get back to the surface you have been perhaps three
<br/>hours underground and travelled two miles, and you, are more exhausted
<br/>than you would be by a twenty-five-mile walk above ground. For a week
<br/>afterwards your thighs are so stiff that coming downstairs is quite a
<br/>difficult feat; you have to work your way down in a peculiar sidelong
<br/>manner, without bending the knees. Your miner friends notice the
<br/>stiffness of your walk and chaff you about it. (&#39;How&#39;d ta like=
 to work
<br/>down pit, eh?&#39; etc.) Yet even a miner who has been long away front=
 work--
<br/>from illness, for instance--when he comes back to the pit, suffers bad=
ly
<br/>for the first few days.
<p style=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont,=
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It may seem that I am exaggerating, though no one who has been down an
</p><br/>old-fashioned pit (most of the pits in England are old-fashioned) =
and
<br/>actually gone as far as the coal face, is likely to say so. But what I
<br/>want to emphasize is this. Here is this frightful business of crawling=
 to
<br/>and fro, which to any normal person is a hard day&#39;s work in itself=
; and
<br/>it is not part of the miner&#39;s work at all, it is merely an extra, =
like
<br/>the City man&#39;s daily ride in the Tube. The miner does that journey=
 to and
<br/>fro, and sandwiched in between there are seven and a half hours of sav=
age
<br/>work. I have never travelled much more than a mile to the coal face; b=
ut
<br/>often it is three miles, in which case I and most people other than
<br/>coal-miners would never get there at all. This is the kind of point th=
at
<br/>one is always liable to miss. When you think of the coal-mine you think
<br/>of depth, heat, darkness, blackened figures hacking at walls of coal; =
you
<br/>don&#39;t think, necessarily, of those miles of creeping to and fro. T=
here is
<br/>the question of time, also. A miner&#39;s working shift of seven and a=
 half
<br/>hours does not sound very long, but one has got to add on to it at lea=
st
<br/>an hour a day for &#39;travelling&#39;, more often two hours and somet=
imes three.
<br/>Of course, the &#39;travelling&#39; is not technically work and the mi=
ner is not
<br/>paid for it; but it is as like work as makes no difference. It is easy=
 to
<br/>say that miners don&#39;t mind all this. Certainly, it is not the same=
 for
<br/>them as it would be for you or me. They have done it since childhood,
<br/>they have the right muscles hardened, and they can move to and fro
<br/>underground with a startling and rather horrible agility. A miner puts
<br/>his head down and runs, with a long swinging stride, through places wh=
ere
<br/>I can only stagger. At the workings you see them on all fours, skipping
<br/>round the pit props almost like dogs. But it is quite a mistake to thi=
nk
<br/>that they enjoy it. I have talked about this to scores of miners and t=
hey
<br/>all admit that the &#39;travelling&#39; is hard work; in any case when=
 you hear
<br/>them discussing a pit among themselves the &#39;travelling&#39; is alw=
ays one of
<br/>the things they discuss. It is said that a shift always returns from w=
ork
<br/>faster than it goes; nevertheless the miners all say that it is the
<br/>coming away after a hard day&#39;s work, that is especially irksome. I=
t is
<br/>part of their work and they are equal to it, but certainly it is an
<br/>effort. It is comparable, perhaps, to climbing a smallish mountain bef=
ore
<br/>and after your day&#39;s work.
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When you have been down in two or three pits you begin to get some grasp
</p><br/>of the processes that are going on underground. (I ought to say, b=
y the
<br/>way, that I know nothing whatever about the technical side of mining: I
<br/>am merely describing what I have seen.) Coal lies in thin seams between
<br/>enormous layers of rock, so that essentially the process of getting it
<br/>out is like scooping the central layer from a Neapolitan ice. In the o=
ld
<br/>days the miners used to cut straight into the coal with pick and crowb=
ar
<br/>--a very slow job because coal, when lying in its virgin state, is alm=
ost
<br/>as hard as rock. Nowadays the preliminary work is done by an
<br/>electrically-driven coal-cutter, which in principle is an immensely to=
ugh
<br/>and powerful band-saw, running horizontally instead of vertically, with
<br/>teeth a couple of inches long and half an inch or an inch thick. It can
<br/>move backwards or forwards on its own power, and the men operating it =
can
<br/>rotate it this way or that. Incidentally it makes one of the most awful
<br/>noises I have ever heard, and sends forth clouds of coal dust which ma=
ke
<br/>it impossible to see more than two to three feet and almost impossible=
 to
<br/>breathe. The machine travels along the coal face cutting into the base=
 of
<br/>the coal and undermining it to the depth of five feet or five feet and=
 a
<br/>half; after this it is comparatively easy to extract the coal to the
<br/>depth to which it has been undermined. Where it is &#39;difficult gett=
ing&#39;,
<br/>however, it has also to be loosened with explosives. A man with an
<br/>electric drill, like a rather small version of the drills used in
<br/>street-mending, bores holes at intervals in the coal, inserts blasting
<br/>powder, plugs it with clay, goes round the corner if there is one handy
<br/>(he is supposed to retire to twenty-five yards distance) and touches o=
ff
<br/>the charge with an electric current. This is not intended to bring the
<br/>coal out, only to loosen it. Occasionally, of course, the charge is too
<br/>powerful, and then it not only brings the coal out but brings the roof
<br/>down as well.
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After the blasting has been done the &#39;fillers&#39; can tumble the coal =
out,
</p><br/>break it up and shovel it on to the conveyor belt. It comes out fi=
rst in
<br/>monstrous boulders which may weigh anything up to twenty tons. The
<br/>conveyor belt shoots it on to tubs, and the tubs are shoved into the m=
ain
<br/>road and hitched on to an endlessly revolving steel cable which drags
<br/>them to the cage. Then they are hoisted, and at the surface the coal is
<br/>sorted by being run over screens, and if necessary is washed as well. =
As
<br/>far as possible the &#39;dirt&#39;--the shale, that is--is used for ma=
king the
<br/>roads below. All what cannot be used is sent to the surface and dumped;
<br/>hence the monstrous &#39;dirt-heaps&#39;, like hideous grey mountains,=
 which are
<br/>the characteristic scenery of the coal areas. When the coal has been
<br/>extracted to the depth to which the machine has cut, the coal face has
<br/>advanced by five feet. Fresh props are put in to hold up the newly
<br/>exposed roof, and during the next shift the conveyor belt is taken to
<br/>pieces, moved five feet forward and re-assembled. As far as possible t=
he
<br/>three operations of cutting, blasting and extraction are done in three
<br/>separate shifts, the cutting in the afternoon, the blasting at night
<br/>(there is a law, not always kept, that forbids its being done when oth=
er
<br/>men are working near by), and the &#39;filling&#39; in the morning shi=
ft, which
<br/>lasts from six in the morning until half past one.
<p style=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont,=
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Even when you watch the process of coal-extraction you probably only
</p><br/>watch it for a short time, and it is not until you begin making a =
few
<br/>calculations that you realize what a stupendous task the &#39;fillers&=
#39; are
<br/>performing. Normally each o man has to clear a space four or five yards
<br/>wide. The cutter has undermined the coal to the depth of five feet, so
<br/>that if the seam of coal is three or four feet high, each man has to c=
ut
<br/>out, break up and load on to the belt something between seven and twel=
ve
<br/>cubic yards of coal. This is to say, taking a cubic yard as weighing
<br/>twenty-seven hundred-weight, that each man is shifting coal at a speed
<br/>approaching two tons an hour. I have just enough experience of pick and
<br/>shovel work to be able to grasp what this means. When I am digging
<br/>trenches in my garden, if I shift two tons of earth during the afterno=
on,
<br/>I feel that I have earned my tea. But earth is tractable stuff compared
<br/>with coal, and I don&#39;t have to work kneeling down, a thousand feet
<br/>underground, in suffocating heat and swallowing coal dust with every
<br/>breath I take; nor do I have to walk a mile bent double before I begin.
<br/>The miner&#39;s job would be as much beyond my power as it would be to
<br/>perform on a flying trapeze or to win the Grand National. I am not a
<br/>manual labourer and please God I never shall be one, but there are some
<br/>kinds of manual work that I could do if I had to. At a pitch I could b=
e a
<br/>tolerable road-sweeper or an inefficient gardener or even a tenth-rate
<br/>farm hand. But by no conceivable amount of effort or training could I
<br/>become a coal-miner, the work would kill me in a few weeks.
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Watching coal-miners at work, you realize momentarily what different
</p><br/>universes people inhabit. Down there where coal is dug is a sort o=
f world
<br/>apart which one can quite easily go through life without ever hearing
<br/>about. Probably majority of people would even prefer not to hear about
<br/>it. Yet it is the absolutely necessary counterpart of our world above.
<br/>Practically everything we do, from eating an ice to crossing the
<br/>Atlantic, and from baking a loaf to writing a novel, involves the use =
of
<br/>coal, directly or indirectly. For all the arts of peace coal is needed;
<br/>if war breaks out it is needed all the more. In time of revolution the
<br/>miner must go on working or the revolution must stop, for revolution as
<br/>much as reaction needs coal. Whatever may be happening on the surface,
<br/>the hacking and shovelling have got to continue without a pause, or at
<br/>any rate without pausing for more than a few weeks at the most. In ord=
er
<br/>that Hitler may march the goose-step, that the Pope may denounce
<br/>Bolshevism, that the cricket crowds may assemble at Lords, that the po=
ets
<br/>may scratch one another&#39;s backs, coal has got to be forthcoming. B=
ut on
<br/>the whole we are not aware of it; we all know that we &#39;must have c=
oal&#39;,
<br/>but we seldom or never remember what coal-getting involves. Here am I
<br/>sitting writing in front of my comfortable coal fire. It is April but I
<br/>still need a fire. Once a fortnight the coal cart drives up to the door
<br/>and men in leather jerkins carry the coal indoors in stout sacks smell=
ing
<br/>of tar and shoot it clanking into the coal-hole under the stairs. It is
<br/>only very rarely, when I make a definite mental-effort, that I connect
<br/>this coal with that far-off labour in the mines. It is just &#39;coal&=
#39;--
<br/>something that I have got to have; black stuff that arrives mysterious=
ly
<br/>from nowhere in particular, like manna except that you have to pay for
<br/>it. You could quite easily drive a car right across the north of Engla=
nd
<br/>and never once remember that hundreds of feet below the road you are on
<br/>the miners are hacking at the coal. Yet in a sense it is the miners who
<br/>are driving your car forward. Their lamp-lit world down there is as
<br/>necessary to the daylight world above as the root is to the flower.
<p style=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont,=
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It is not long since conditions in the mines were worse than they are
</p><br/>now. There are still living a few very old women who in their yout=
h have
<br/>worked underground, with the harness round their waists, and a chain t=
hat
<br/>passed between their legs, crawling on all fours and dragging tubs of
<br/>coal. They used to go on doing this even when they were pregnant. And
<br/>even now, if coal could not be produced without pregnant women dragging
<br/>it to and fro, I fancy we should let them do it rather than deprive
<br/>ourselves of coal. But-most of the time, of course, we should prefer to
<br/>forget that they were doing it. It is so with all types of manual work;
<br/>it keeps us alive, and we are oblivious of its existence. More than
<br/>anyone else, perhaps, the miner can stand as the type of the manual
<br/>worker, not only because his work is so exaggeratedly awful, but also
<br/>because it is so vitally necessary and yet so remote from our experien=
ce,
<br/>so invisible, as it were, that we are capable of forgetting it as we
<br/>forget the blood in our veins. In a way it is even humiliating to watch
<br/>coal-miners working. It raises in you a momentary doubt about your own
<br/>status as an &#39;intellectual&#39; and a superior person generally. F=
or it is
<br/>brought home to you, at least while you are watching, that it is only
<br/>because miners sweat their guts out that superior persons can remain
<br/>superior. You and I and the editor of the Times Lit. Supp., and the po=
ets
<br/>and the Archbishop of Canterbury and Comrade X, author of Marxism for
<br/>Infants--all of us really owe the comparative decency of our lives to
<br/>poor drudges underground, blackened to the eyes, with their throats fu=
ll
<br/>of coal dust, driving their shovels forward with arms and belly muscles
<br/>of steel.<p style=3D"color: #111111; display: none; font-family: -appl=
e-system, BlinkMacSystemFont, &#34;Segoe UI&#34;, &#34;Roboto&#34;,
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Sans&#34;, &#34;Droid Sans&#34;,
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 0;"></p>
                                         =20
</td>
                                     =20


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                                                            </tr>
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" style=3D"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; bord=
er-collapse: collapse; color: #111111; font-family: -apple-system, BlinkMac=
SystemFont, &#34;Segoe UI&#34;, &#34;Roboto&#34;,
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acer" style=3D"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; =
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ider" cellpadding=3D"0" cellspacing=3D"0" style=3D"-ms-text-size-adjust: 10=
0%; -webkit-text-size-adjust: 100%; border-collapse: collapse; color: #1111=
11; font-family: -apple-system, BlinkMacSystemFont, &#34;Segoe UI&#34;, &#3=
4;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 0; mso-table-=
lspace: 0pt; mso-table-rspace: 0pt; padding: 10px 0; width: 100%;">
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0; height: 1px; line-height: 0; margin: 0; mso-table-lspace: 0pt; mso-table=
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apse: collapse; color: #111111; font-family: -apple-system, BlinkMacSystemF=
ont, &#34;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px; mso-tab=
le-lspace: 0pt; mso-table-rspace: 0pt; width: 100%;">
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padding=3D"0" cellspacing=3D"0" style=3D"-ms-text-size-adjust: 100%; -webki=
t-text-size-adjust: 100%; margin: 0; mso-table-lspace: 0pt; mso-table-rspac=
e: 0pt; padding: 5px; text-align: left; vertical-align: top;" align=3D"left=
" valign=3D"top">
                                                        <p class=3D"sub" st=
yle=3D"color: #111111; font-family: -apple-system, BlinkMacSystemFont, &#34=
;Segoe UI&#34;, &#34;Roboto&#34;,
        &#34;Oxygen&#34;, &#34;Ubuntu&#34;, &#34;Cantarell&#34;, &#34;Fira =
Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 0; word-break=
: break-all;"><strong style=3D"font-weight: bold; word-break: break-all;">S=
ource: <a href=3D"http://www.george-orwell.org/Down_The_Mine/0.html" style=
=3D"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; color: #348=
eda; text-decoration: none;">http://www.george-orwell.org/Down_The_Mine/0.h=
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s-serif; font-size: 18px; font-weight: normal; margin-bottom: 10px; mso-tab=
le-lspace: 0pt; mso-table-rspace: 0pt; width: 100%;">
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acer" style=3D"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; =
margin: 0; mso-table-lspace: 0pt; mso-table-rspace: 0pt; padding: 5px; text=
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ider" cellpadding=3D"0" cellspacing=3D"0" style=3D"-ms-text-size-adjust: 10=
0%; -webkit-text-size-adjust: 100%; border-collapse: collapse; color: #1111=
11; font-family: -apple-system, BlinkMacSystemFont, &#34;Segoe UI&#34;, &#3=
4;Roboto&#34;,
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Sans&#34;, &#34;Droid Sans&#34;,
        &#34;Helvetica Neue&#34;, &#34;Helvetica&#34;, &#34;Arial&#34;, san=
s-serif; font-size: 18px; font-weight: normal; margin-bottom: 0; mso-table-=
lspace: 0pt; mso-table-rspace: 0pt; padding: 10px 0; width: 100%;">
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0; height: 1px; line-height: 0; margin: 0; mso-table-lspace: 0pt; mso-table=
-rspace: 0pt; padding: 5px; text-align: left; vertical-align: top;" align=
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